I can’t help but think that there’s another play lurking in Oslo, nastier, more alive, less fair-minded, and memorable enough to force the most jaded of us to care. Because right now, in this Oslo, what we care about are negotiations. They could have been between East Timor and Australia, or a couple of boys trading baseball cards. There’s a way in which the Israelis and Palestinians are incidental to the entire experience.
Read MoreThere are scenes in Dominique Morisseau’s Skeleton Crew that belong in a terrific play about Detroit auto workers.
Read MoreIn these end days of the year and perhaps the country, we might ask, just to while away the time, what we want from our American plays.
Read MoreIn re-imagining the romance of Thomas Jefferson and Sally Hemings, Thomas Bradshaw creates thrilling new myths that are sure to be as controversial as the old ones.
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